Showing posts with label African. Show all posts
Showing posts with label African. Show all posts

Saturday, March 23, 2019

Phoenix Womens Art Camp.....by Indian artist Manisha Vedpathak








Posting about the Artist Camp quite a late as I was busy packing for my travel to Rotterdam right after the camp.
Today I am posting from Rotterdam.
It was a wonderful experience while painting live at Phoenix Womens Art Camp. We were 10 artists from our city Pune. Wonderful arrangement by IGA Galleria and the Phoenix mall. Had fun painting as well as interacting with viewers passing by. We painted 2 canvases. I chose African theme. I was surprised by myself with stamina specially with the recently diagnosed Rheumatoid.
 Here are some of the pics:

















Tuesday, February 28, 2017

"Motherhood....The strength of women" ..... by Manisha Vedpathak

One more painting along with "Fly high" that will be going for my upcoming group
 show in Mumbai at DDNeroy Gallery which will be held on 8th March on the
occasion of  Women's day. The purest love in the world is  mother's love.
I believe that the greatest strength of women is Motherhood. I am blessed with
two beautiful daughters.


"Motherhood...The strength of women"
Acrylic on canvas, 20"x20"
Available
To purchase contact: manishavedpathak@gmail.com

Thursday, January 5, 2017

Goa Exhibition....by Manisha Vedpathak

A group exhibition of paintings sculptors curated by Prabuddha Ghosh and 
organized by Ajay Jadhav and Harish Kulkarni (Art Insight Medium), took place 
at Kala Academy ,Goa from 20th Dec'2016 to 1st Jan'2017

My paintings on African theme were at display in this exhibition.
Unfortunately I could not attend the exhibition.
Here are some pics of my paintings on display:





Saturday, February 6, 2016

New painting.....by Manisha Vedpathak

I am getting ready for my next exhibition
in India,in my hometown. Some more paintings
I have finished. This time I did some portraits.
I thoroughly enjoyed painting these. 
"Naive"
Acrylic on canvas, 34"x24"

Wednesday, November 18, 2015

Yet another "Gye Nyame"....by Manisha Vedpathak

Yet another painting of Gye Nyame, the Adinkra symbol.

I have never mentioned in my earlier posts about the hostory of 
these symbols apart from their  origin. Here is the history of these symbols:
 The Adinkra symbols  were originated  in Gyaman of Cote d'Ivoire
and Akan tribe of Ghana. According to an Asante (a tribe in Ghana)
legend, Adinkra was the name of a king of the Gyaman.
Adinkra was defeated and captured in a battle by the Asantes
 for having copied the “Golden Stool” (the symbol of the Asante nation). 
He was finally killed and his territory annexed to the kingdom of 
Asante.  His adinkra robe was taken as a trophy( a patterned
 cloth, which was interpreted as a way of expressing his sorrow 
on being taken  to the capital of Asante).The Asante people
 around the 19th century then took to painting of traditional 
symbols of the Gyamans onto cloth.
 Adinkra means goodbye. Originally, the cloth was worn only by the
 royalty and spiritual leaders for mourning during funeral services.
 It can now be worn by anyone for any occasion. The symbols and their 
meanings are still used to convey a message. Approximately four hundred 
such symbols are known in Ghana. 
"Gye Nyame"
Acrylic on canvas,15.7"x15.7"

Available
To purchase or for more information regarding any of my paintings,contact me : manishavedpathak@gmail.com

Monday, June 1, 2015

"Breaking through the silence".....an acrylic painting by Manisha Vedpathak

"Breaking through the silence"
Acrylic on canvas, 24"x36"

Finally completed the painting. Painting is of musicians from Ghana ,
 in their traditional attire  .
Music has always played a huge part of Ghanaian society.In fact music 
and dance is an integral part of everyday tribal  life and is seen as a way 
of preserving tribal identity.
Ghana has varied style of traditional music due to large variety  of ethnic groups
 across the country. Typically this music is played at  traditional ceremonies 
such as installation of Chiefs, annual traditional  festivals, funerals, and in 
performances at various ceremonies.
The popular musical instruments include a variety of leather,wood, gourd, 
beads and string instruments. In my painting have included Djembe(drum),
 xylophone, talking drum and flute.

Djembe ( as you can see in left bottom) is a goblet drum and is played with 
drummer's bare hands. The drum's purpose and the meaning of it's name are
 to 'gather everyone in peace' .
"Talking drum"  is a white circle with a stick on it,  in the top portion of the 
painting. This is an hourglass shaped oldest instrument used by West Africans. 
The pitch of this instrument is regulated to mimic the tone of human speech,
 hence called "Talking drum".
Xylophone is a modern instrument which is just like a regular xylophone.
 These are  wooden bars on instrument and mallets are used to produce music.
The one unifying aspect of all different types of music is a strong dancing beat.
 Any African music is guaranteed to fulfill the purpose of dance beats. Hence my
 one more painting in this series will be of African dancers.

Thursday, April 16, 2015

"Supremacy II"...An acrylic painting by Manisha Vedpathak

While in the last month of my stay in Ghana ,I completed a painting
which was first in my new series and was titled "Supremacy". That 
painting was sold immediately (thanks to Darryl Wakefeild)so I sketched 
a new one to add to my series. That was left without any paint 
on it as I was in the process of  relocating. It's now complete 
and hope you all enjoy this as well.
It has the same subject as in "Supremacy", like Chiefs from Ghana 
with the Royal ladies wearing colorful head turbans, Adinkra symbols ,
the Royal umbrella which is used to shelter the Chiefs, Ghanaian
designs which are normally used in their textiles composed different
shapes.
Here the one that  was sold in its new home....


And here is the new one....
"Supremacy II"
Acrylic on canvas, 24"x48"



Thursday, November 20, 2014

"Akua'ba".....an acrylic painting by Manisha Vedpathak

African symbols are very intriguing, their Ancestors made
symbols out of everything. Fertility Doll is one of the oldest
symbol which is also known as "Akua'ba"(pl. Akua'maa).

. The round, flat disc heads, columnar body with outstretched arms

 and smooth, black surface convey the Asante (or Ashanti) ideal of beauty.
In Ghana ,fertility dolls represent youth and fertility. These dolls are
carved in wood and are believed to induce pregnancy. Fertility dolls are
famous and special for the reason behind its creation.



It is one of the most familiar stories in African culture. At some time in the 
past, there was a young Asante woman called "Akua"( wednesday born)
who was having trouble in conceiving a child("ba"). So she was adviced
by a priest to commission a wood carving of a child. She was instructed 
to treat carving just like a living being. She was to carry the carving 
on her back as all the children are carried , tucked into the wrapper 
,with only the head appearing above the cloth and look after the carving
just like any child is been looked after. So Akua did just as she was told
but people teased her pointing at her carving. But eventually Akua got pregnant
and gave birth to a beautiful healthy girl and her success encouraged others
suffering from infertility to follow her path and thus the carvings came to be
 known after her name Akua'ba(Akua's child).

 And so the title of my painting is "Akua'ba". There are a few fertility dolls
in my painting and the images of mother carrying the child on her back
(these images which I am very fascinated about) , and thus came the abstract and 
very interesting juxtaposition of these images and various geo shapes .

Hope you all enjoy the painting!
 
"Akua'ba"
Acrylic on canvas,27"X50"
Available




Wednesday, November 5, 2014

"Supremacy"....Contemporary figurative painting by Manisha Vedpathak

I totally enjoyed this painting. Right from the composition 
to the color combination to the finishing touches.

Two male and female figures from Royal family are portrayed 
in an abstract style.Male figure with large gold bead necklace and
golden band on the forehead, is the tribal chief. I always 
love the way the African ladies wear their headgear. You will find 
them in several of my paintings. There are the Adinkra symbols
that are related to Royalty.
The circle in the center is called "Adinkrahene", which is
chief of all Adinkra symbols and symbolizes greatness, leadership.
The symbol "Gye Nyame" which is showed halfway in a rectangular
 shape shows the supremacy of God, that no one is above God.

In the upper right corner below the circle in green color is the design
 of "Kente" cloth. Kente cloth is woven in bright, narrow strips with
 complex patterns; it's usually made from cotton and is always 
woven outdoors, exclusively by men.Kente cloth is a festive cloth
and is traditionally worn during the festivals and the religious occasions.

Upper right and left corners are the umbrellas. During the festivals ,
tribal chiefs and Queen mothers are shaded with these traditional umbrellas.
These all are combined with some geometrical shapes used in textile designs.

There is a lot to see in this painting .Hope you  enjoy this painting as much as I enjoyed.

"Supremacy"
Acrylic on canvas, 27.5"X50"

Thursday, May 29, 2014

"Desire to play".... by Manisha Vedpathak

Had painted this piece in July 2013 just before I travelled
to India. I wasn't very happy with the background so had
just left untouched.
 
 
"Untitled"
Acrylic on canvas,33.5"x27.5"
 
 I changed the surrounding a little and here is the outcome.
I am now satisfied and named it "desire to play" as I want
to donate this for Child Heart Foundation.
 
"Desire to play"
 

Wednesday, February 12, 2014

"Melange"....An acrylic painting by Manisha Vedpathak



"Melange"
Acrylic on canvas,35"x35"
Melange is a French word for the mix of different
colors and shapes. This name was suggested by
 a friend on facebook. There are faces ,motifs that
are used in Ghana, the Adinkra symbols which are
very widely used for decoration as well as on textiles,
and also the silhouttes of  human figures in African
style.